Selected Reviews
New Territory – Landscape Photography Today, Denver Art Museum (2018)
06.20.2018 / LANDSCAPE + PHOTOGRAPHY = A COLLABORATION on Denver Art Museum
06.08.2018 / In Denver, Landscapes Soaked, Digitized and Irradiated on The Wall Street Journal
Emanations: The Art of the Cameraless Photograph, Govett-Brewster Art Gallery (2016)
06.01.2016 / Refractions of Light on The Big Idea
05.12.2016 / New ‘Emanations’ exhibition at the Len Lye Centre includes work from around the world on Stuff
Spring 2016 / Exterior Monologues, Inner Visions on Art New Zealand, #159
September 2016 / Material Presence: Emanations at Govett-Brewster on Art Monthly Australasia, #292
In the Wake, Japan Society (2016)
04.21.2016 / Intense Immobility: “In the Wake” at Japan Society on artcritical
Camera Atomica, Art Gallery of Ontario (2015)
07.16.2015 / Review: The Particular Horrors of the AGO’s “Camera Atomica” on Canadian Art
In the Wake, the Museum of Fine Arts, Boston (2015)
Fall 2015 / Reviewed by Tessa Hite on Trans-Asiav Photography Review
06.19.2015 / Review: Japanese Photographers Reflect on the Fukushima Catastrophe on the New York Times
04.29.2015 / Review by Edie Bresler on Photograph Magazine
03.24.2015 / Photographers Bring Home a Picture of Fukushima on Hyperallergic
03.11.2015 / Stirring Images from Japanese Photographers Reflecting on the National Tragedy of 3/11 on Slate
02.24.2015 / Japanese Photographers React to the Tragic Aftermath of Japan’s ‘Triple Disaster’ on Huffington Post (Italian) (Korean)
Towada Oirase Art Festival (2013)
10.02.2013 / The Towada Art Center expands its landscape on the Japan Times
A Different Kind of Order: the ICP Triennial (2013)
08.02.2013 / Picking Up the Pieces on Aperture
07.19.2013 / A Different Kind of Order: The ICP Triennial on Artforum
07.16.2013 / Fragile Lives: the ICP Triennial on the Indypendent
07.15.2013 / Investigating the Death of Photography at the ICP Triennial on Artspace
06.27.2013 / ICP Triennial: A Different Kind of Order on Daily Serving
05.16.2013 / What’s Real Today: the ICP Triennial on the New York Times
Fukushima Biennale (2012)
09.07.2012 / Art exhibit in Fukushima gazes toward the future on Asahi Shimbun
Selected Articles
04.11.2017 / Pictures in the Aftermath on The New York Times Magazine
02.05.2017 / The End of the World as We Know It on hyperallergic
11.30.2016 / Dialogue Between Joan Fontcuberta and Geoffrey Batchen on Foto Colectania’s Correspondence
May 2016 / Short Q&A / Shimpei Takeda on Objektiv
12.04.2014 / Photographed by the Earth: War and media in light of nuclear events on NECSUS – European Journal of Media Studies
01.31.2014 / Takeda’s Truth and Beauty (Subscribers Only) on Pantone View
12.18.2013 / Recent Acquisition: Shimpei Takeda on the ICP Collections blog
11.18.2013 / Technology and Photographic Art on the New Yorker, Photo Booth
08.09.2013 / doc! photo magazine, Issue #14, Poland
06.28.2013 / Shimpei Takeda Makes Art Out of Radioactive Dirt on Vice
03.11.2013 / Revealing Evidence of Disaster on the Story with Dick Gordon
03.10.2013 / Shimpei Takeda on Aint-Bad Magazine
12.21.2012 / Conveyor Magazine (Issue No.4: Dark Matter)
12.04.2012 / Making the Geologic Now (Punctum Books) Web version
11.03.2012 / Questa arte è contaminazione on IO Donna: Il femminile del Corriere della seraPDF English
10.08.2012 / Trace: An Interview with artist Shimpei Takeda on Friends of the Pleistocene
Other Publications by Japanese Media
12.21.2017 / ＜日本の新進作家 無垢と経験の写真＞（下）自然作用を印画紙に写す (東京新聞)
05.24.2017 / 新緑の上野で、写真を通して見えないものを可視化する「T3 PHOTO FESTIVAL TOKYO」レポート (IMA)
07.19.2015 / 視線 「震災以後：日本の写真家がとらえた3・11」 (朝日新聞・書評記事)
04.22.2015 / 「震災以後：日本の写真家がとらえた3・11」展 (朝日新聞)
09.10.2014 / Enhanced Vision (WIRED Vol.13) *IMAとの共同編集による別冊
08.29.2014 / 写真とテクノロジーの密なる関係 (IMA Vol.9) English
03.31.2013 / 土の記憶を記録する (ドキュメンタリー批評雑誌 neo neo Vol.2)
11.08.2012 / 放射能汚染の記録 (FM81.3 / J-WAVE「Jam the World」)
09.05.2012 / フクシマから未来へ (朝日新聞)
08.25.2012 / 放射能汚染の実態を記録 (福島民報)
03.12.2012 / 被災地は訴える (毎日新聞)